RGB

Dan Flavin - Minimalist Master of Light

Using commercial fluorescent light tubing, Dan Flavin created light installations, making the spaces washed in vivid rainbow hues which became icons of Minimalism.

Dan Flavin 1971. - Untitled (to Janie Lee) Blue, pink, yellow and green fluorescent light  Photo:  flos.com

Dan Flavin 1971. - Untitled (to Janie Lee) Blue, pink, yellow and green fluorescent light

Photo: flos.com

His circa 50 years old light installations are shining bright today, still looking very contemporary.

Dan Flavin 1963. - The nominal three (to William of Ockham),  Photo:  tmlarts.com

Dan Flavin 1963. - The nominal three (to William of Ockham),

Photo: tmlarts.com

While outwardly simple and direct, these arrangements produce visual effects of surprising subtlety.

Dan Flavin 1966-1968. - Untitled (to the “innovator” of the Wheeling Peachblow)  Photo:  tmlarts.com

Dan Flavin 1966-1968. - Untitled (to the “innovator” of the Wheeling Peachblow)

Photo: tmlarts.com

His choice of the material was motivated in part by a desire to break free from both Abstract Expressionism and Pop art by seizing on the anonymous and industrial nature of a familiar commercial product.

Site-specific installation by Dan Flavin, 1996, Menil Collection

Site-specific installation by Dan Flavin, 1996, Menil Collection

One might not think of light as a matter of fact, but I do. And it is, as I said, as plain and open and direct an art as you will ever find.
— Dan Flavin

The Tapestry of Light

Royal Tapestry Factory in Madrid, founded in 1721, gets the makeover with innovative and fascinating new lighting.


Light & Studio designed lighting for this 4000 m2 property, inspired by the work of the ancient artisans who have gone through the workshops of the Royal Tapestry Factory of Madrid.

Its objective was the construction of a bridge between tradition and innovation, between the old and the new, a bridge that unites this factory working since 1721 and the coworking space for innovation companies that has been created between its walls, the Loom House.

The design is based on methacrylate tubes installed at different heights to create those crosses that resemble textile patterns. More than 200m of digital LED strips controlled point by point, run through these tubes making different scenes and tours, led by light.

It has been possible thanks to 3 controllers of 64 universes each, connected to a software made to measure for the project, images are launched in real time, generating different atmospheres.

The programming is integrated in a Dali system that allows to handle, through a touch screen, both the digital lighting and the rest of the lighting in the room. This system also allows adjusting the lighting to natural light that enters through the windows throughout the day to respect our biorhythms.

I Light Marina Bay festival 2019

From 28th of January until 24th of February was happening a sustainability-focused, Singapore-based spectacle i Light Marina Bay Festival. Following this years theme “Bridges of Time”, 32 sustainable light art installations and one multimedia show were presented.

The Floating Lighthouse by Milenko Prvački, Ryf Zaini and Dr. Robert Casteels  (Singapore)

The Floating Lighthouse by Milenko Prvački, Ryf Zaini and Dr. Robert Casteels (Singapore)

The Time Vortex by    Vendel & de Wolf   (The Netherlands)

The Time Vortex by Vendel & de Wolf (The Netherlands)

Lighthouse of Time by    Danny Rose   (France)

Lighthouse of Time by Danny Rose (France)

The Rainbow Connection by Yun  (Singapore)

The Rainbow Connection by Yun (Singapore)

Why Green? by    DP Architects    - Ng San Son, Bob Teo, Josiah Leong, Johann Lim, Jireh Lee, Theodore Goh, Shawn Teo, DP Lighting  (Singapore)

Why Green? by DP Architects - Ng San Son, Bob Teo, Josiah Leong, Johann Lim, Jireh Lee, Theodore Goh, Shawn Teo, DP Lighting (Singapore)

Facey Thing by    Uji Studios   (New Zealand)

Facey Thing by Uji Studios (New Zealand)

Prospegtive Perspective by Carnation Kng, Low Jo Ann and Justina Teng Yimin from    National University of Singapore   (Singapore)

Prospegtive Perspective by Carnation Kng, Low Jo Ann and Justina Teng Yimin from National University of Singapore (Singapore)

Shadow Exposed by    Judy K Suh    x    Visual Feeder   (USA)

Shadow Exposed by Judy K Suh x Visual Feeder (USA)

Sails Aloft by    Biangle Studio   (Estonia)

Sails Aloft by Biangle Studio (Estonia)

Shades of Temporality by    SWEATSHOPPE    - Blake Shaw and Bruno Levy  (USA)

Shades of Temporality by SWEATSHOPPE - Blake Shaw and Bruno Levy (USA)

Cosmic Web by Foo Hui Wen, Lim Yu Zhi and R.Yashini from    LASALLE College of the Arts   (Singapore)

Cosmic Web by Foo Hui Wen, Lim Yu Zhi and R.Yashini from LASALLE College of the Arts (Singapore)

Squiggle by    Angus Muir   (New Zealand)

Squiggle by Angus Muir (New Zealand)

City Gazing Singapore by    VOUW    - Mingus Vogel and Justus Bruns  (The Netherlands)

City Gazing Singapore by VOUW - Mingus Vogel and Justus Bruns (The Netherlands)

Les Footballeurs by    Rémi Brun   (France)

Les Footballeurs by Rémi Brun (France)

Time Traveller by Eko Prawoto  (Indonesia)

Time Traveller by Eko Prawoto (Indonesia)

Flower Clock by You Fan Zhou, Liao Qing Shuang, Guo Qian Ling, Song Le Jing and Lee Jian Wen from    Guangzhou Academy of Fine Arts   (China)

Flower Clock by You Fan Zhou, Liao Qing Shuang, Guo Qian Ling, Song Le Jing and Lee Jian Wen from Guangzhou Academy of Fine Arts (China)

The Cat in the Garden by    Loom Prod   (France)

The Cat in the Garden by Loom Prod (France)

Oriflammes by    Sebastien Lefevre   (France)

Oriflammes by Sebastien Lefevre (France)

TIME FRAME by    DONIS

TIME FRAME by DONIS

HALO by Michael Davis  (United Kingdom)

HALO by Michael Davis (United Kingdom)

Time Rhythm by    Xavi Bové    and    Onionlab   (Spain)

Time Rhythm by Xavi Bové and Onionlab (Spain)

Cenotaph for a Stone by Bryan Joseph Cadag, Loo Quan Le and Zulkarnain Bin Mohd Zin from    National University Singapore   (Singapore)

Cenotaph for a Stone by Bryan Joseph Cadag, Loo Quan Le and Zulkarnain Bin Mohd Zin from National University Singapore (Singapore)

Where do stories begin / Where do stories end by    Michael Lee    and    Perception3   (Singapore)

Where do stories begin / Where do stories end by Michael Lee and Perception3 (Singapore)

With A View by Superiore Design Associates - Ryan Linardy and Lim Cheng Jun  (Singapore)

With A View by Superiore Design Associates - Ryan Linardy and Lim Cheng Jun (Singapore)

Good Fortune by Olga Grybowicz and Kasper Hein  (Poland)

Good Fortune by Olga Grybowicz and Kasper Hein (Poland)

Run Beyond by    Angelo Bonello   (Italy)

Run Beyond by Angelo Bonello (Italy)

Land-pass Bird by Dr. Huang Chin-Fu  (Taiwan)

Land-pass Bird by Dr. Huang Chin-Fu (Taiwan)

Keys of Light by    Mr.Beam   (The Netherlands)

Keys of Light by Mr.Beam (The Netherlands)

Reflecting Holons by    Michiel Martens and Jetske Visser   (The Netherlands)

Reflecting Holons by Michiel Martens and Jetske Visser (The Netherlands)

Vista of Light by Andrew W Rae

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Andrew W Rae created a 2500m² bespoke audio visual installation for Christmas at Blenheim 2017 on behalf of creative light and sound art company; Ithaca. Visitors were invited to take an immersive walk up the hill and through trees featuring over 8,000 pixel mapped LED spheres and two 20 metre high trees wrapped in 500m metres of pixel mapped LED lighting.

There's not much more to say except to enjoy the video below:

RGB lighting installation at London Design Festival 2017

Vibrant blue and orange lights clash in this installation by Australian designer Flynn Talbot, which takes over the V&A's Prince Consort Gallery throughout the London Design Festival.

Orange lighting tubes have been installed at one end of the vaulted gallery, while matching blue lights have been positioned on the opposite end. Meanwhile, the long side walls have been covered up with rows of reflective black panels.

Watch full story:

Dialux Evo - RGB lighting

If you have a situation where you need to use LED RGB lighting fitting or perhaps horticulture fitting this quick tutorial might help you.

Changing the colour of the light

In this example we have a E27 lamp base fitting. Lamp that we're going to use is full spectrum type that is promoting plant growth. Colour of the light that these fittings are emitting is magenta-like.

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For demonstration purposes, three fittings at the back are left white.

To change properties of the lights, simply select fittings. Make sure that you are on lighting menu -> photometric data -> click "change"

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Under colourimetric data, click "change"

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Choose LED -> LED red

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Click apply and that's it!

Calculate, raytrace as usual. Since Dialux Evo doesn't offer magenta colour, you can use white balance option at display option menu.

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In this way you can change properties of ldt files not just regarding colour of the light (green, blue, 3000K...), you can change them eg. from appearing LED to Incandescent and similar.