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Wearable light

What happens when fashion and light design collide?

Many designers tried different techniques to incorporate light in to a wearable light piece.

For example, this talented Korean knitwear designer - HyunJin Yun experimented with glow-in-the-dark yarn, metallic and transparent yarn for knitting and digital printing.

She is not a simple knitwear designer because she is focusing more on e-knitting design in home design. Through her works she bring us in to her exciting visual spectacle world.

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Are you familiar with the dress that moves when you look at? It is hi-tech glow-in-the-dark outfit made from the world's lightest fabric and it responds to people's gaze.

The author is Montreal-based designer Ying Gao. She used sensory technology in her dresses and they are made from super-organza and sewn in glow-in-the-dark thread.

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And of course the dress that sparked the idea for this post - Zendaya’s 2019 Met Gala Cinderella Dress by Tommy Hilfiger.

The Tommy Hilfiger dress changed colour from grey to blue  Photo:  dezeen.com

The Tommy Hilfiger dress changed colour from grey to blue

Photo: dezeen.com

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It’s not a first glowing dress at the Met gala, in 2016 Claire Danes wore glow-in-the dark dress by Zac Posen.

Sources:

flexiblefashion1.blogspot.com/

dailymail.co.uk

Light as a storyteller

Double Indemnity (1944)

Double Indemnity (1944)

Today we will go back in time and travel with the speed of light (heheh) (sorry)

I am fascinated how artists in the past who had limited technology and resources were able to express their talents and were telling the story within the art piece mostly with lighting. Lighting is able to create certain moods, atmosphere and character.

Even in written pieces, eg. Gustave Flaubert's Madam Bovary (1856.), the writer  is using lighting effects to symbolize specific situations or a character's psychology, while at the same time reflects a particular point of view. Not to mention how often the lighting is being used in poetry as a driver for expression of the feelings.

Akira(1988) is the perfect example for this. In this japanese ground breaking animated science fiction film, directed by Katsuhiro Otomo, neon light is used as a symbol for consumerism and it creates the dystopian feeling of the city which is very difficult to animate in every frame of the movie.


"No other film has ever looked like Akira, before or since. It’s stunningly fluid and detailed animation often required as many as 9 separate cel layers. The 125 minute feature was comprised of over 160,000 cels and almost as many backgrounds, each one completely hand–drawn and hand-painted." Joe Peacock, Akira cels collector 


Have a look at the short video on Akira: How to Animate Light



Another example is Dutch painter Johannes Vermeer sometimes referred as "The master of light"

The video bellow describes how in one of his paintings (Woman holding a balance 1662–1663) light draws you in and encompass the full scope of the painting.



And if you are interested how Film Noir  were made when the technology and resources were limited, and how talented people of the time made iconic look and feel in their movies, have a look at this video:


I hope you enjoyed this post. Feel free to share with someone who'll find this interesting :)